A Lead on the Ark of the Covenant
When last we saw the lost Ark of the Covenant in action, it had been dug up by Indiana Jones in Egypt and ark-napped by Nazis, whom the Ark proceeded to incinerate amidst a tempest of terrifying apparitions. But according to Tudor Parfitt, a real-life scholar-adventurer, Raiders of the Lost Ark had it wrong, and the Ark is actually nowhere near Egypt. In fact, Parfitt claims he has traced it (or a replacement container for the original Ark), to a dusty bottom shelf in a museum in Harare, Zimbabwe.
As Indiana Jones’s creators understood, the Ark is one of the Bible’s holiest objects, and also one of its most maddening McGuffins. A wooden box, roughly 4 ft. x 2 ft. x 2.5 ft., perhaps gold-plated and carried on poles inserted into rings, it appears in the Good Book variously as the container for the Ten Commandments (Exodus 25:16: “and thou shalt put into the ark the testimony which I shall give thee”); the very locus of God’s earthly presence; and as a divine flamethrower that burns obstacles and also crisps some careless Israelites. It is too holy to be placed on the ground or touched by any but the elect. It circles Jericho behind the trumpets to bring the walls tumbling down. The Bible last places the Ark in Solomon’s temple, which Babylonians destroyed in 586 BC. Scholars debate its current locale (if any): under the Sphinx? Beneath Jerusalem’s Temple Mount (or, to Muslims, the Noble Sanctuary)? In France? Near London’s Temple tube station?
Parfitt, 63, is a professor at the University of London’s prestigious School of Oriental and African Studies. His new book, The Lost Ark of the Covenant: Solving the 2,500 Year Mystery of the Fabled Biblical Ark (HarperOne) along with a History Channel special scheduled for March 2 would appear to risk a fine academic reputation on what might be called a shaggy Ark story. But the professor has been right before, and his Ark fixation stems from his greatest coup. In the 1980s Parfitt lived with a Southern African clan called the Lemba, who claimed to be a lost tribe of Israel. Colleagues laughed at him for backing the claim; in 1999, a genetic marker specific to descendents of Judaism’s Temple priests (cohens) was found to appear as frequently among the Lemba’s priestly cast as in Jews named Cohen. The Lemba ? and Parfitt ? made global news.
Parfitt started wondering about another aspect of the Lemba’s now-credible oral history: a drumlike object called the ngoma lungundu. The ngoma, according to the Lemba, was near-divine, used to store ritual objects, and borne on poles inserted into rings. It was too holy to touch the ground or to be touched by non-priests, and it emitted a “Fire of God” that killed enemies and, occasionally, Lemba. A Lemba elder told Parfitt, “[It] came from the temple in Jerusalem. We carried it down here through Africa.”
That story, by Parfitt’s estimation, is partly true, partly not. He is not at all sure, and has no way of really knowing, whether the Lemba’s ancestors left Jerusalem simultaneously with the Ark (assuming, of course, that it left at all). However, he has a theory as to where they might eventually have converged. Lemba myth venerates a city called Senna. In modern-day Yemen, in an area with people genetically linked to the Lemba, Parfitt found a ghost town by that name. It’s possible that the Lemba could have migrated there from Jerusalem by a spice route ? and from Senna, via a nearby port, they could have launched the long sail down the African coast. As for the Ark? Before Islam, Arabia contained many Jewish-controlled oases, and in the 500s AD, the period’s only Jewish kingdom. It abutted Senna. In any case, the area might have beckoned to exiled Jews bearing a special burden. Parfitt also found eighth-century accounts of the Ark in Arabia, by Jews-turned-Muslims. He posits that at some undefined point the Lemba became the caretakers of the Ark, or the ngoma.
Parfitt’s final hunt for the ngoma, which dropped from sight in the 1940s, landed him in sometimes-hostile territory (“Bullets shattered the rear screen,” of his car, he writes). Ark leads had guided him to Egypt, Ethiopia and even New Guinea, until one day last fall his clues led him to a storeroom of the Harare Museum of Human Science in Zimbabwe. There, amidst nesting mice, was an old drum with an uncharacteristic burnt-black bottom hole (“As if it had been used like a cannon,” Parfitt notes), the remains of carrying rings on its corners; and a raised relief of crossed reeds that Parfitt thinks reflects an Old Testament detail. “I felt a shiver go down my spine,” he writes.
Parfitt thinks that whatever the supernatural character of Ark, it was, like the ngoma, a combination of reliquary, drum and primitive weapon, fueled with a somewhat unpredictable proto-gunpowder. That would explain the unintentional conflagrations. The drum element is the biggest stretch, since scripture never straightforwardly describes the Ark that way. He bases his supposition on the Ark’s frequent association with trumpets, and on aspects of a Bible passage where King David dances in its presence. Parfitt admits that such a multipurpose object would be “very bizarre” in either culture, but insists, “that’s an argument for a connection between them.”
So, had he found the Ark? Yes and no, he concluded. A splinter has carbon-dated the drum to 1350 AD ? ancient for an African wood artifact, but 2,500 years after Moses. Undaunted, Parfitt asserts that “this is the Ark referred to in Lemba tradition” ? Lemba legend has it that the original ngoma destroyed itself some 400 years ago and had to be rebuilt on its own “ruins” ? “constructed by priests to replace the previous Ark. There can be little doubt that what I found is the last thing on earth in direct descent from the Ark of Moses.”
Well, perhaps a little doubt. “It seems highly unlikely to me,” says Shimon Gibson, a noted biblical archaeologist to whom Parfitt has described his project. “You have to make tremendous leaps.” Those who hope to find the original biblical item, moreover, will likely reject Parfitt’s claim that the best we can do is an understudy. Animating all searches for the Ark is the hope ? and fear ? that it will retain the unbridled divine power the Old Testament describes. What would such a wonder look like in our postmodern world? What might it do? Parfitt’s passionately crafted new theory, like his first, could eventually be proven right. But if so, unlike the fiction in the movies, it would deny us an explosive resolution.